No explanation; no apologetics; no theoretical or historico-critical apparatus…
Just Schoenberg works in performances that have caught my ear for what, rightly or wrongly, I think of as the best of musical reasons…
… Plus, wherever possible, a related photograph or two…
You don’t have to like the piece. You don’t even have to listen to it. It’s simply here.
* * *
Phantasy for Violin with Piano Accompaniment, Op. 47 (1949)
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